Saturday, March 13, 2010

Some thoughts on… the Middle Kingdom

There is a reason travel is enlightening – it can reverse your perspective. Having been to a number of places around the world, it was primarily due to Klaus’ MBA class that we decided to spend two weeks in China. We had prejudices, but it is difficult to consider oneself a citizen of the world without experiencing the most populous country on Earth.

Middle Kingdom is a literal translation of the country’s name "Zhongguo" (中国/中國), and I arrived with preconceived notions: runaway economic growth at the expense of environmental destruction, government control trampling individual rights, Mordor in the midst of Middle Earth. In the end, some biases proved true, yet the epiphany was despite these downsides the country remained wondrous. How did this nation defy expectations?

Symbolism is a part of Chinese philosophy, which is apparent even in the written sinography that are character representations. Borrowing from the Daoist ba gua framework which denotes fundamental principles of reality and is related to the wu xing or five elements, I’ll try to describe the four cities we visited. It is hubris to characterize a nation of 1 billion people, by visiting only four cities, but the impressions are striking and worth describing at least some parts of this great dragon.

The eight concepts of ba gua are inter-related and make up the structure of the universe. Lost fans will recognize the picture as the entrance marker to the eight island stations.





Beijing (Earth), our first stop, is a city of conflicts in surprising harmony. The Chinese uphold balance as a pre-eminent virtue which is witnessed in its seeming contradictions – soldiers marching in formation across Tiannamen Square; a shiny new airport surpassing any in the US; old villages torn down and replaced by shopping malls; a GPS-controlled electronic guide to the Forbidden City – this mixture of historic and innovative, revolutionary and traditional is all accommodated by Beijing. The city seems to receive all these different energies and yields to hold them all.

Xi’an (Fire) has been chosen as a Special Economic Zone for the Western provinces. This designation has led to hyper-development of the city, with construction rivaling parts of Dubai. The city has grown from 4 to 8 million people in the past 5 years. The Chinese businessmen in the packed lobby of the Shangri-La Hotel during a Thursday afternoon tea are busy creating the new frontier. They smoke up the room with chatter, deals and cigarettes. The terra-cotta warriors in the outskirts of the city, and the Muslim market in the city-center still reminiscent of the times when the silk route ended in Xi’an are the primary cultural poles. The worry is that the frenzied construction comes at the cost of quality and is only a real-estate bubble. If this fire is extinguished by an earthquake either seismic or economic, all that may be left is smoke. Incredibly, this is one of ten other Tier 2 cities in the country that are being grown in a similar fashion.

Hong Kong (Metal/ Lake) is an old pair of shoes that fit comfortably. Landing in a city where the residents speak English and old money pervades, provides a sense of satisfaction. Signs still use Chinese characters (although people speak Cantonese) and the city is a protectorate of the mainland, but freedom of the press exists, and access to Facebook through the internet is once again possible. There is content in the air. People are happy and the the economy is rebounding from the financial crisis. But there is a sense of complacency amongst the people – a resigned air of the glory days being in the past, similar to Europe. Although much of the mainland aspires to Hong Kong’s wealth, this city is stagnating. Full integration with China will be in 2030, but already the government is looking past this metropolis. The communists will pick the fruits of Hong Kong but will not invest, because this is not the future of the Middle Kingdom.

Shanghai (Wood/ Thunder) is the future and excitement of China. Similar in feel to New York, the World Expo this summer, has been a reason for the government to invest and clean up the city. Construction is rampant and overwhelming. One plan takes the extensive highway next to the river (located alongside the Bund) and moves it underground. The leadership started this revision 3 years ago, and the structure will finalize by end March. In contrast, Boston took 20 years to do complete a similar project along its riverbank. The revolution is that people are so preoccupied making money they have ignored politics. The apparent division between capitalism driving the people and communism managing the State can be seen across China but is most striking here.

We concluded that “Red” China has transformed into “Ferrari Red” China. Manufacturing is replacing agriculture. Materialism is the new manifesto. Ermenegildo Zegna mega-stores are the temples. Currency is the new comrade. As with any makeover, this change comes at a cost. The Culture Revolution stripped much of the country of its deep heritage, and the hyper-economic affluence has been the only way to fill the vacuum of sophistication.

The pursuit of the all-powerful RMB makes the country feel soul-less. This mentality might have been on what our pre-conceived notions of Mordor were based. Conspicuous consumption is the norm these days - mixing expensive Bordeaux wines with coke, ordering excessive food just to throw it away, destroying traditional villages to create luxury apartments; flooding the borders into Hong Kong to go shopping.

But the epiphany was that the soul resides with its people many of whom live outside these urban centers. The heritage has not been forgotten just suppressed under money and commercialism. This is evident in the resurgence of a foodie culture – shanghainese cuisine mixing black poppy and hairy crab, peking duck with little fat and crisp skin, or mutton soup with glass noodles in Xi’an. Along with the Chinese characters which Mao tried to remove, these traditions have survived repression. If the government were to place emphasis on art, theater, music, and literature, the culture would again flourish.

In the next few decades the country and the people will need to question which path to take: continue on the rocket trajectory of consumerism or pause to re-establish historic customs and rituals. The more the government transfers people into the urban centers and encourages materialism, the more it walks down the first path. It may be time for China to re-balance again.

March 14, 2010

Saturday, February 27, 2010

Some thoughts on… Oscars 2010

In an attempt to gain viewers, the Academy this year is selecting a greater diversity of movies and nominating 10 films in the Best Picture category. The increased number means it’s harder to keep up and watch all the candidates. Thus, to be perfectly candid, I have not yet seen the following movies – An Education, A Serious Man, and Precious: Based on the Novel 'Push' by Sapphire. Nonetheless, that won’t stop me from describing my personal favorites

The Best Picture category is an all out fight between Avatar – perhaps the greatest movie ever made – and The Hurt Locker, the best film of the year. So what is my distinction between a movie and a film? Avatar is a great movie for its combination of effects, camera angles and 3D realism. It is a transformation in movie-making, similar to the revolutions of silent to sound and monochrome to color. The themes though are quite simple – good vs. evil; boy meets, loses and gets back girl (albeit 9-foot tall, feline blue girl). The story is familiar, but the packaging is ground-breaking.

Katheryn Bigelow’s feature, The Hurt Locker, available on DVD, also shows us a world we barely know – following a bomb-defusing team in Baghdad. But, this is not re-telling a classic tale. Instead it muses on darker themes –the desire for annihilation in a world where taking risks is what keeps you alive; the imbalance between sanity and gifted-talent. Similar to Avatar, this movie has bombastic effects, but what makes it different is the taut storyline and character development. Although Avatar will get Best Picture, Katheryn Bigelow should win Best Director.

The other Best Picture candidates like District 9 would have had a shot in a less strong year. Up also nominated in this category should float away with the Best Animated Feature category.

Best Actor will go to Jeff Bridges, but he is robbing it from Colin Firth whose portrayal of a torn soul due to his lover’s death in A Single Man is heart-breaking.

Best Actress will go to Sandra Bullock. Although the movie Blind Side pulls at all the right heart strings, it is not a great film or movie and shouldn’t be a Best Picture candidate. Yet, Bullock’s turn as the bull-headed, suburban mother that adopts and raises a pro-football athelete, is sincere and worthy. Meryl Streep has enough nominations and wins; she doesn’t need this one.

Christopher Waltz’s killer performance in Inglorious Basterds should get Best Supporting Actor. His fey Nazi Colonel who speaks four languages fluently and is constantly outwitting his prey is pure Oscar fun. The vengeance story of the movie itself is a little more disquieting. Matt Damon’s Afrikaaner rugby player doing the right thing in Invictus would have won for its feel-good storyline in any other year.

Finally, Mo’Nique’s performance in Precious has won every award so far, and is likely to continue its streak. Although, I personally enjoyed Vera Farmiga’s performance as foil and friend to George Clooney in Up In The Air. I hope to see this pairing soon – they may become the modern-day Cary Grant / Katherine Hepburn.

Have fun and don’t forget to watch on Sunday, March 7.

February 27, 2010

Sunday, February 7, 2010

Some thoughts on… Appeasing Anger

Heading to the subway for work two weeks ago, I was stopped by the driver of a white van on the street. He leaned over and asked “Hey buddy, this is a strange question, but do you want to buy a 5.1 system?” I didn’t need a stereo but a couple of friends did. He opened up the back to show 8 new boxes and a shiny catalogue demonstrating the retail price was around $3000. This had to be a scam.

Thrilled by the prospect of a good deal and simultaneously nervous of being arrested by the police for literally buying stuff that was falling off the back of a truck, we came to a negotiated price of $220. I brought it back to the apartment and started to Google which eventually voiced my gnawing doubts – this was a big hoax. The brand – Paramax – was being sold out of white vans in the UK and US. The speakers were barely worth what I had paid. Luckily, I hadn’t been completely ripped off, but I was ashamed and pissed.

On February 4, Scott Brown was sworn in as the Republican Senator of Massachusetts inheriting the seat left by Ted Kennedy, disrupting the fragile Congressional vote on Health Care reform, and representing the anger of the broader Tea-Party Movement. Formed early in 2009, these citizens oppose the large spend associated with the stimulus package and the actions of President Obama over the past year. They are livid that the national debt is increasing, and that they may have to pay future taxes.

The original Boston Tea-Party staged before the American Revolution, protested actual levies on goods imported and exported from the US. Confusingly, the current movement is focused on potential tax increases that may occur, although no taxes on the middle-class are planned in Obama’s ten-year budget.

So, why are the Independent voters in Massachusetts, the Tea-Party Republicans and I so mad at our respective transactions? Didn’t we just get what we deserved?

The musical, Fela! which transferred from off-Broadway to the Eugene O’Neill, is an homage to afro-beat music pioneered by Fela Kuti in the 1970’s. Kuti, a Nigerian composer and political activist, wrote scathing critiques of the corrupt government and its links to multi-national oil companies. The music is a syncopated, mash-up of West African rhythms, jazz and story-telling in Pidgin English. The music of the show is enveloping and electrifying; tantalizing the audience with its marijuana-laced power to stand, sway, clap and interact regardless of the age, income, and racial composition of the Broadway audience

The haphazard story line doesn’t follow a traditional musical plot, and the rambling narrative paints an impressionistic canvass rather than fine-detail, but the music is sufficiently enthralling to cover these faults. Although Kuti’s original critiques of the government were crushed through violent suppression by the military, he continued to express his discontent in the streets of Lagos and across West Africa through his music well into the 1990’s. He attempted several runs for the President’s office in the 1980’s, but the rebellious and withdrawn approach of his protest – declaring an independent state within Nigeria, eventually marrying more than 27 women, and actively using illicit narcotics – separated him from more influential parties. In the end, his remonstrations were colorful spectacle, but could not effectuate change since they did not present a clear and viable alternative to the prevailing system.

David Mamet’s new drama, Race, is a court-room exhibition with fast-talking lawyers, an ingénue assistant, and a morally-questionable defendant. It’s the right mixture of ingredients, but the cake doesn’t rise. David Alan Grier and James Spader portray Partners in a law firm who are determining whether to take on the case of a white man that is accused of raping a black woman. Mamet’s dialogue is clever, but is thrown-away by the verbal acuity of the performers who seem intent to race through the show as quickly as possible. Just as I had a handle on the state of play, act 2 was completing.

Blame is a major theme of the performance – is the defendant culpable for the turn of events or is race biasing our view of innocence? The lawyers seek to determine guilt using the tools they have to address a potential judge and jury - hatred, fear and envy. Their own prejudices are mired in these emotions. Before approaching a court, they play out potential arguments in the safety of their office, leading them down philosophically - wayward streets and back alleys. Eventually, we realize that in the pursuit to establish innocence, they become guilty, since they forget to acknowledge their role in creating the lurid affair.

Similar to the Tea-Party independents, all of us can get mad at our current situation – with work, with our families, with the economy – but when expressing anger we should take on two responsibilities. First is to recognize our own culpability in creating and fostering the situation. How did we allow an administration in eight years to take us from a Fiscal surplus to deficit by running two wars without paying for them?

The second responsibility to displaying anger is being able to generate a potential alternative for the situation. If Republicans really disagree with the current situation, they should complain, and then generate ideas for resolution. We can’t just sit back and criticize without taking the responsibility to govern. Otherwise, we become cynics cursing at the skies and others.

It’s easy for me to get angry at the people selling me a bad stereo – “they swindled me”, “the cops should stop these people”, “the city should crack down”. In the end, though I was the one buying a system from the back of a truck. I got what I deserved. Maybe in the future, I’ll think twice about getting such a good deal.


February 7, 2010